I am a professional guitarist, composer, and educator.  I compose and perform music for all kinds of musical situations, as well as for dance, theatre, and film. I recently completed a doctorate, exploring computer technology and composition.

The goal of my blog is to help people find reasons to start engaging in music, and then to help them stick with  it. The broad categories of what I cover are guitar, songwriting, and rhythm and meter. Composition is implied in all of this.

Some of the things I look at it will help you become a better musician. Some of it will give you ideas for making your own music. The topics I cover are diverse and reflect my experience as a performer, composer, and educator.

Let me know what you find useful here. Just as importantly, let me know what doesn’t work for you. The intent of the rest of the site is fairly clear. Listen to my work by going to the top menu and clicking on Compositions, Guitar 1, and Guitar 2. Buy stuff in the Store.



Dave Wall is a guitarist, composer, and electronic musician, and holds a degree in Guitar Performance and a doctorate in Music Composition. He has performed in and composed for an impressively diverse range of situations. Ambient, electroacoustic, jazz, noise, avante-garde concert music, and all popular styles of music have fallen within his scope of activity.

He has composed for the The Penderecki Quartet, Bradyworks (Montreal), Negative Zed (Vancouver), CONTACT Contemporary Music (Ontario), Motion Ensemble (Fredericton). He has written for and/or performed with the Brian Webb Dance Company, Tania Alvaredo, St. Crispin’s Ensemble, and Tim Brady, among others. The NOWage Orchestra, a new music/theatre group which he wrote for and played in, was a ground-breaking septet exploring and interpreting music ranging from Gyorgy Ligeti to Tom Waits.

His compositions have been featured at Vancouver’s Firehall Theatre, Regina’s Stream of Dance Biennale, Calgary’s Fluid Movement Arts Festival, Toronto’s Dancemakers Studio, and in Edmonton at the Winspear Centre, the Timms Centre, the Edmonton Symphony Orchestra’s Resound New Music Festival, the Edmonton Fringe Festival, the Citadel Theatre, and on PBS in the United States.



“One of the best guitar players in the city. Dave can get incredible sounds out of his guitar.” Brian Webb, The Brian Webb Dance Company

“I have admired his work as a composer, and as a player with real depth.  He is extremely musical, and has developed a tremendous understanding in music and jazz theory. Dave has become a formidable jazz guitarist, has tremendous powers of concentration, possesses a very quick wit, and is extremely committed to his art. He is most certainly an original thinker, has a great attitude, and is very determined and committed.” Charlie Austin (, pianist, composer and author

“Wall has produced a formidable body of work, which has been consistently championed by some of the best New Music groups.” Vue Magazine

“In Blue Eyes, Black Hair, Dave Wall has produced a one-man wonder of a score for solo guitar.” Pamela Anthony, Edmonton Journal

“I highly recommend Dave Wall as an amazing composer and guitarist. My group, the Strathcona String Quartet, has performed many of Dave’s pieces over the years. His compositions are absolutely inspirational.” Jennifer Bustin, Manager – Strathcona String Quartet

“In Medias Res  by Dave Wall is a piece that is full of energy, occasionally a bit raucous, and thoroughly engaging.” Dan Albertson, The Living Composers Project  


Commissions and Recordings

Edmonton Arts Council  Individual ArtistsRecording Grant, 2016. Awarded funding to record original compositions for post-rock band Hermit Crab.

Frost Flowers/Arctic Death Machine, 2015. Commissioned to write music for multimedia event featuring dance, video and music.

What Awaits Me, 2013. Commissioned to write music for multimedia event featuring dance, video and music.

Poetry Map of Canada, 2013. Commissioned to compose music for the Edmonton Poetry Festival’s Gala Event.

30% Gone, 2011 Commissioned to compose music for The Brian Webb Dance Company.

Private Commission, 2009. Commissioned to write 10 minute piece for ancient instruments

Canada Council Alberta Creative Initiatives Development Grant, 2008. Support for composition of dance music for The Brian Webb Dance Company

Edmonton Arts Council Edmonton Artists Trust Fund Award, 2008. Support for composition of chamber piece and the recording of two separate projects

Private Commission , 2008. Commissioned to write 15 minute piece for two sackbut quartets, harpsichord, and cello

Commission – Alberta Foundation for the Arts, 2008. Commissioned to write 12 minute piece for solo trombone, loopstation and electronic effects

Commission – Edmonton Arts Council Lee Fund Award, 2007. Commissioned to write and 18 minute piece for The Ritchie Trombone Choir

Recording – Arkatzi, 2007. Compact disc recording of original jazz/electronica compositions

Commission – Alberta Foundation for the Arts, 2006. Commissioned to compose a string quartet

Recording – Chamber Graffiti (jazz), 2005. Compact disc recording of original jazz compositions

Commission – Tania Alvaredo, 2003. Commissioned to compose 45 minutes of music for dance

Commission – Alberta Foundation for the Arts, 2003. Commissioned to compose a solo percussion piece

Recording – Phagoo (rock), 2003. Compact discrecording of original music for alternative rock band

Commission – Alberta Foundation for the Arts, 2002. Commissioned to compose a solo piano piece

Commission – Brian Webb Dance Company, 2001. Commissioned to compose an hour of music for dance

Commission – Edmonton Composers Concert Society, 2000. Commissioned to compose a 10 minute piece for chamber ensemble.

Recording – Penderecki Quartet, 2000. Compact disc recording of string quartet In Medias Res

Edmonton Arts Council Artist Trust Fund Award, 1998. One of first recipients of new award for developing local professional talent; produced String of Knots for septet as well as three pieces for jazz quartet.

Commission – Alberta Foundation for the Arts, 1998. Awarded for the commission of a new piece for the NOWAge Orchestra

Private Commission – Ken Read, 1997. Commissioned to compose a piece for solo bass trombone

Charles Muttart Scholarship, Banff Centre for the Arts, 1992